In this interactive workshop, the José Torres-Tama investigates the usage of autobiographical material as subject matter to explore larger issues concerning race, religion, gender, and personal politics within performance. The personal story is discussed as an imprint of an oral tradition because one’s particular experience will always have universal resonance. Student or community participants are led through a series of improvised text and movement exercises designed to create a nurturing space for the sharing of personal experiences.
Also, participants will be guided in creating dynamic visual rituals that are intrinsic to performance art with the usage of charged props. Performance techniques that exemplify creative invention and aesthetic choices are discussed.
